Thursday, December 11, 2008

My Paper Sculpture Portfolio

"Maliko Gulch" 13 1/2 x 6 x 3- Handmade papers cast over a winter melon and embellished with layered leaves sewn up each side and unspun sheeps wool to finish off the rim.

" ipu heke 'ole" 15 1/2 x 14 x 12- Decorated paper vessel handcast from a Hawaiian gourd once used as a drum to accompany the Hula dance.
Embellished with seeds sewn up each side and unspun silk fibers finishes off the rim.

"Stilt Basket" 15 x 5 1/2 x 4 1/2- Paper vessel handcast from a honeydew melon, positioned on bamboo stilts and embellished with dyed orange fibers.

"Medicine Bowl" 7 x 7 1/4 x 8 1/2- Paper vessel handcast from a squash. A 4 piece plaster of paris mould was needed to cast the elaborate shape of the squash. Unspun tresses of camel hair adorn the rim.

Friday, December 5, 2008

Hand Cast Paper Sculptures

Hand cast paper bowl.

Another view of the paper bowl.

After much deliberation, my handmade paper bowls, vessels and sculptures are starting to manifest. I had some technical difficulties along the way and the weather was counteractive in the drying process. But here we are.

With my handsaw and clippers I ventured into the wilderness to harvest some of the grasses, leaves, flower stalks and inner bark from the plants and trees that I would be needing. I collect only from plants that are growing in abundance and have plenty to share.

Then the cooking process- about 6 -8 hours simmering on an outdoor burner in a caustic solution, then to rinse and wash in preparation for the relentless beating of the fibers. Each batch of cooked plants is beaten with a wooden mallot on a wooden cutting board for approximately 4 hours. The beaten fibers are then further cut up into smaller pieces and small handfuls are put into a kitchen blender with water and blended, repeating the blending process about 15-20x or until an entire vat is filled with pulp. Using my papermaking screen and deckle, sheets of wet papers are lifted out of the vat and set aside.

In the weeks previous, was the production of the plaster of paris moulds. For several weeks I would bring my equipment down to the beach- a bucket, the plaster powder, a couple of gourds, squashes and other fruits that have interesting shapes......I would bury the gourd halfway into the damp beach sand, mix the plaster in my bucket using ocean water and pour the mixture over the gourd, wait about an hour to set up and then flip it over and pour plaster on the other side.

After the plaster mould is bone dry I press freshly lifted, wet sheets of paper on the inside of the plaster mould. I use many different kinds of papers to get different tones and textures. When the papers inside the mould are dried, I pull the 2 piece mould apart and release the handcast vessel, a paper replica of the model that was used to make the mould.

This little piece pictured above is a paper replica of a pomegranite! The plant materials that I used to make the papers that went into this are, spider lily stalks, bird of paradise flower stalks, trunk of a banana plant, and the dark brown flecks are dried philodendron flower sheaths. I also put a PVA glue substance into the paper pulp vat so that when the paper piece dries it will be hardened. It looks delicate, but really, it is quite hard and durable. The tactile qualities of the plants really shine through in these hand cast pieces. I have more of these to come- some much larger and more intricate, we'll see what happens here.